ENG
MOVEMENTS: WHITE
Video work, 14’34’’

In the performance called Movements: White (2012), the first joint work of Sanja Latinović and Ranko Đanković, we are faced with the transportation of a couple of kilos of the modeling clay from one to the other end of the canvas wall.

The act of transportation is carried out by the synchronized movements of seven participants whose limbs are the only things visible on the white surface of the wall.

This kinetic installation is completely in the function of the transmission of the matter through which the problem of communication and the conveying of information is presented. Living in the epoch in which the most efficient systems for transferring information have been devised in the history of mankind, we are also the witnesses of great alienation and the lack of understanding among people. That is the reason why the process of the transportation of the matter, like the transmission of information where there are losses and hums, gives off the impression of being eroded, growing thinner and snapping. The transported part, the remnants, in its reduced quantity carries the symbolic potential of the suffered change.

Written by: Miodrag Danilović, Gallery ’73, Belgrade

SRP
MOVEMENTS: WHITE
Video rad, 14‘34

U performansu pod nazivom “Movements: White” (2012), koji predstavlja prvi zajednički rad Latinovićeve i Ranka Đankovića, suočeni smo sa prenosom nekoliko kilograma vajarskog peska sa kraja na kraj zidnog platna.

Prenošenje se izvodi sinhronizovanim pokretima sedmoro učesnika od kojih su na beloj površini zida transparentni samo njihovi udovi.

Ova „kinetička“ instalacija sva je u funkciji transmisije materije čime je tematizovan problem komunikacije i prenosa informacija. Savremenici smo epohe koja je razvila najefikasnije sisteme za prenos informacija u istoriji čovečanstva, istovremeno smo savremenici velikog otuđenja i nerazumevanja među ljudima. Zato proces transmisije materije poput prenosa informacije u kome dolazi do gubitaka i šumova, deluje utiskom krnjenja, tanjenja i kidanja. Preneseni deo, ostatak, u svojoj okrnjenoj količini nosi simbolički potencijal pretrpljene promene.

Teks pisao Miodrag Danilović , Galerija ’73 Beograd